These kids are eating up the show. We're all loving making music together.
They seem starved for any kind of fun and silliness.
Earlier today we visited a small 'collection centre', where refugees are
brought to be relocated but wind up staying. We got the projector working
and showed videos to some 50 people, all Kosovars. And then I played.
Edo, my translator, was the perfect straight-faced foil to my antics. He
translated my English to Bosnian, then a local man converted his words into
Albanian. The height of absurdity was teaching the audience to speak Chicken
through two translators. When we were done with the song, at least we had
Chicken as a common language. It is just this kind of absurdity that these
dislocated people need to take them away from the miseries of daily life.
In Sarajevo there is no direction you can look without seeing bombed-out
buildings, derelict hotels and office towers. The devastation in the
countryside bears a remarkable resemblance to Italy and Ireland, where I
visited with awe the relics of ancient civilizations ---- the roofless houses,
the castles with empty windows and crumbling walls. Here the scene is eerily
similar, except the devastation is made by people, not time. The shape and
size of houses haven't changed much over the millennia, and neither has what
we do to them.
Ironically, this timeless apparition of war aroused in me the same anguish I
felt absorbing the pristine charm of the impeccable Croatian coast. What
shame. What shame to destroy such beauty. What shame that, no matter how old
we grow, how civilized, how wise, we continue to insist on transforming our
lives into misery.
Why do we do that? Oh I know, the Croats will blame the Serbs and vice
versa. The Christians will blame the Muslims. When you ask these people for
a reason, they hark back to atrocities committed in the fifteenth century.
How did humankind ever become cursed with this chronic 'he-started-it'
disease? Who started it? I started it. It keeps floating into my mind that
the deeper you look into someone's eyes the more you see yourself.
Along the sidewalks of Sarajevo are decorative flower-shaped craters a few
inches deep, about two feet across, with a spray of smaller pock marks
covering another five feet. They are what happens when a projectile explodes
on the pavement. My guide pointed to the distant hills where, during the
war, the Serbian Army had been stationed. In the evening, he said, you could
hear the soldiers singing as they sat and drank Slivovitz until it was
shelling time. Their singing became the take-cover warning. Sarajevo
underwent four years of shelling. After a while the artillery fire became
like a minor annoyance. You heard the report of the cannon and looked up to
the hills. If it wasn't coming your way you went about your business. At
home you heard the grenades around you but you didn't put down your book. If
one landed on your roof it might knock out the plumbing, or it might kill
you. After three million rounds of bombardment, what the hell is the difference?
One day we drive out of Tuzla to a Serbian area which has only recently
reverted to Bosnian territory. The local government is still Serb. In the
midst of this district is a Muslim village.
In the school the children are all essentially Muslim refugees, their
families having been chased out of their village during the war, to return
years later to repair their burnt homes and resettle. The field beside the
school had once been a front line and scene of battle ---- we can see the
dried-up irrigation ditches used as trenches. Now the returning Muslims are
in a tense situation, back in their village, surrounded by people who don't
want them there.
And yet, at our concert, the kids are bright-eyed and bushy-tailed, raring
to go and irrepressible.
As we leave school, my translator confides in me that he feels sorry for
those Muslim people.
'Why?' I ask him, guessing the answer. He is a Muslim converted to
Christianity.
'Because they don't know the truth,' he says.
I feel it's this sort of 'knowledge' that paves the road which leads to war.
War is run by those who know what's right. I find living in the question
quite peaceful.
Eric Nagler grew up in New York, moving
to Canada in 1968 as a conscientious objector. He is now one
of Canada's most popular entertainers, well known for his TV
work on Eric's World and The Elephant Show. He spent a month
in Bosnia performing for war-affected children and families.